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An arpeggio (Italian: [arˈpeddʒo]) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords .
Equivalent patterns in 4 4 and 3 4 [1] Play 4 4 ⓘ and Play 3 4 ⓘ Alberti bass patterns on V 7 Alberti bass in the opening of Thomas Attwood's (1765–1838) Sonatina in G Major [2] Play ⓘ Alberti bass in the opening of Muzio Clementi's Sonatina in G, Op. 36, No. 2 (1797) [3] Play ⓘ The opening of the 5th of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces ...
The only notable extant piece for the arpeggione is a sonata with piano accompaniment by Franz Schubert, D.821, not published until 1871, when the instrument was long out of vogue. This sonata is now commonly played on the cello or viola, and many other instruments have received transcriptions as well.
The Omnichord is an electronic musical instrument introduced in 1981 by the Suzuki Musical Instrument Corporation. [1] It allows users to play distinctive harp-like arpeggios produced through an electronic strum plate, simulating the experience of playing a stringed instrument.
Kyoko Yonemoto playing Caprice No. 24 in A minor (4:52) Theme Play ⓘ. Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin.
The percussive sound of battuto has a clear pitch element determined by the distance of the bow from the bridge at the point of contact. As a group of players will never strike the string in exactly the same place, the sound of a section of violins playing col legno battuto is dramatically different from the sound of a single violin doing so.
Because of the competitive industry and relative youth of the instrument design itself, experimentation ensued in the early years, creating a range of moderators (sound-altering effects) and other technical devices (knee levers; hand stops) not seen today. [1] In London, the explosion of the trade is generally attributed to the maker Zumpe. The ...
Examples may be found in Mauricio Kagel's 1993 string quartet Notturno and the cadenza of Giacinto Scelsi's 1965 Anahit. [ 2 ] In the twentieth century, composers have adapted the bariolage idea to other instruments, particularly the trombone, where a constant pitch may be repeated while rapidly changing between different slide positions—a ...