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Lily Furedi (May 20, 1896 – November 1969) was a Hungarian-American artist, whose original Hungarian name was Füredi Lili. A native of Budapest, she achieved national recognition for her 1934 painting, The Subway, which is a sympathetic portrayal of passengers in a New York City Subway car. Light-hearted in tone, the painting depicts a cross ...
Devon Rodriguez (born April 8, 1996) is an American artist from New York City. He initially gained recognition for drawing a series of realistic portraits of commuters on the New York City Subway. In 2019, Rodriguez was a finalist in the Outwin Boochever Portrait Competition for his portrait of sculptor John Ahearn.
He was born as Raphael Schoar.He and his identical twin brother, Moses, were born in Borisoglebsk, Tambov, a southern province of Russia, on December 25, 1899. [3] [4] Their father, Abraham Shauer, a Hebrew scholar, writer and teacher, [5] raised his six children in an intellectual environment in which much emphasis was placed on academic and artistic pursuits.
Devon Rodriguez spoke to TODAY about his wild rise to fame.
The art is intended to be site-specific and to improve the journey for New Yorkers and visitors alike. MTA Arts & Design has works commissioned by over 300 artists, with entries in graphic art, photography installations, digital art, Music Under New York, Poetry in Motion, and special events.
By 1976, Lee was creating huge murals of graffiti art across the subway system. As a subway graffiti artist, Lee almost exclusively painted whole cars, all together about 125 cars. He was the major contributor to one of the first-ever whole-trains, along with DOC, MONO and SLAVE, the core members of The Fabulous Five crew, which also included ...
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
In 1964, The Times, discussing his well-known subway gouaches (done while commuting to his some-time job as a racetrack pari-mutuel clerk), called him a "Pari-Mutuel Picasso." [ 1 ] In 1985, on the occasion of a 50-year retrospective, The Washington Post wrote: "It appears to have dawned, at last, on many collectors that this is art that has ...
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