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It was commissioned by Cardinal Giulio de' Medici, then Archbishop of Narbonne and later Pope Clement VII (r. 1523–24), in what was effectively a contest engineered by Michelangelo, using Sebastiano as "a kind of deputy", [1] or "cat's paw", [2] in a rivalry between the two and Raphael, whose Transfiguration (now in the Vatican Pinacoteca) is ...
The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
Raphael's version was part of his Raphael Cartoons, a series of tapestries created for the Sistine Chapel in 1515–16. "If we could turn Raphael's Saint Paul in such a way that his head would touch the lower frame and the length of his body would be directed more or less orthogonally inward, we would have a figure similar to that in Caravaggio ...
Fortitude's seated posture and the folds of her clothing are copied directly from a modello Raphael had seen of Michelangelo's Moses. [7] Prominently seated in the center is Prudence. On her breast is an effigy of a winged Gorgon to ward off deceit and fraud. Janus-like, her head has two faces shown in profile. Her youthful feminine face looks ...
Prophet Isaiah by Michelangelo. Much comparison is made of the Raphael fresco Prophet Isaiah to the work of Michelangelo, Ernst Gombrich going as far to suggest that Michelangelo may have hired Raphael to work on Ezekiel for the Sistine Chapel, which he believes is much more reflective of Raphael than of Michelangelo. This would have allowed ...
Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific. He was enormously prolific. Despite his early death at 37, a large body of work remains, especially in the Vatican, where Raphael and a large team of assistants, executing his drawings under his ...
It was inspired by a passage in the biography of Raphael written by Quatremère de Quincy. Raphael is shown at a makeshift easel drawing a peasant woman with her child and surrounded by a crowd of attentive students while Michelangelo is shown in the bottom left corner. [3] Above them are Pope Julius II and Leonardo da Vinci. [4]
With Michelangelo providing drawings for the latter work, Medici was rekindling the rivalry initiated a decade earlier between Michelangelo and Raphael, in the Stanze and Sistine Chapel. [ 4 ] From 11 to 12 December 1516, Michelangelo was in Rome to discuss with Pope Leo X and Cardinal Medici the facade of the Basilica of San Lorenzo in Florence.