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The hide's black colour is achieved by applying a mixture of oil and wood ashes / charcoal. [5] Added to this, fat is rubbed onto isidwaba as the skirt must never be washed. Fat protects it against water. To wash the skirt is equalled to washing away the woman's ancestors and thus her protection from her husband's homestead. Like the isidwaba ...
In more traditional surroundings the covering of the upper body is less important, but the covering of the thighs is. Then it is worn as a longer skirt. Men wear it as a short skirt, or may even make shorts out of it, especially when fishing or working in the bush where freedom of movement of the legs is needed.
An unpleated skirt which is composed of two pieces of fabric sewn to the same waistband. The middle part of the skirt overlap and are not sewn together. [20] Song Baidiequn 百迭裙 A one-piece pleated skirt; the top is narrow and the bottom is wide. [20] Song Sanjianqun 三裥裙 A skirt made of 4 skirts pieces sewn together. [20] Song Zhejianqun
The women's skirts were characterized with high waistline which created a silhouette which looked similar to the Empire dresses of Napoleonic France; however, the construction of the assemble differed from the ones worn in Western countries as Han Chinese women assemble consisted of a separate skirt and upper garment which show low décolletage.
Footwear: Baloch women use four types of shoes, namely Sawas, Mochi, Katuk and Takkul. Balochi embroidery alone has 118 different basic designs. [18] Baloch women use a large scarf to cover their heads called a sareg. [19] Mahtab Norouzi was an Iranian Baluchi master artisan, she was known for her textiles and women's clothing. [20] [21] [22]
The lungi, which usually multicoloured, [1] is a men's skirt usually tied around the lower waist below the navel. It can be worn as casual wear and night wear. [citation needed] It is favoured in hot and humid climates where the airflow it allows makes it more comfortable than alternatives. [2]
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