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In more traditional surroundings the covering of the upper body is less important, but the covering of the thighs is. Then it is worn as a longer skirt. Men wear it as a short skirt, or may even make shorts out of it, especially when fishing or working in the bush where freedom of movement of the legs is needed.
The hide's black colour is achieved by applying a mixture of oil and wood ashes / charcoal. [5] Added to this, fat is rubbed onto isidwaba as the skirt must never be washed. Fat protects it against water. To wash the skirt is equalled to washing away the woman's ancestors and thus her protection from her husband's homestead. Like the isidwaba ...
An unpleated skirt which is composed of two pieces of fabric sewn to the same waistband. The middle part of the skirt overlap and are not sewn together. [20] Song Baidiequn 百迭裙 A one-piece pleated skirt; the top is narrow and the bottom is wide. [20] Song Sanjianqun 三裥裙 A skirt made of 4 skirts pieces sewn together. [20] Song Zhejianqun
The Samoan Lavalava is a wraparound "skirt". These are worn by men, women and children. The women's lavalava pattern usually have either traditional symbols and/or a flower (frangipani) pattern. The men's lavalava have only traditional symbols. A blue lavalava is the official skirt for the police officers uniform of Samoa.
Footwear: Baloch women use four types of shoes, namely Sawas, Mochi, Katuk and Takkul. Balochi embroidery alone has 118 different basic designs. [18] Baloch women use a large scarf to cover their heads called a sareg. [19] Mahtab Norouzi was an Iranian Baluchi master artisan, she was known for her textiles and women's clothing. [20] [21] [22]
Yoruba women's clothing is not only a form of dressing but also a form of expression and identity. The clothing reflects the personality, mood, taste, and creativity of the wearer. The clothing also conveys messages about the social status, marital status, age group, religious affiliation, and cultural affiliation of the wearer.
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