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A 1952 biographical film, Stars and Stripes Forever, gives an account of the composer's life and music. Russian-American pianist Vladimir Horowitz wrote a famous transcription of "The Stars and Stripes Forever" for solo piano to celebrate his becoming an American citizen. In an interview, Horowitz opined that the march, being a military march ...
"The Stars and Stripes Forever" is considered Sousa's most famous composition. [3] A British journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II. [4] However, not all of Sousa's marches had the same level of public appeal. [2] Some of his early marches are lesser known and rarely performed. [2]
His marches are typically marked by a "subdued" trio—as in "The Stars and Stripes Forever", where most of the performing band becomes subordinated to arguably the most famous piccolo obligato in all of music. [citation needed] Sousa's magnum opus, "The Stars and Stripes Forever" was adopted in 1987 as the national march of the United States. [1]
Sousa's marches are typically marked by a subdued trio, as in "The Stars and Stripes Forever" in which the rest of the band becomes subordinated to arguably the most famous piccolo solo in all of music. Typically, an American march consists of a key change (usually the addition of a flat), often happening for the duration the Trio.
John Philip Sousa's march "The Stars and Stripes Forever" contains a piccolo obbligato in its grandioso. Ernest Bloch's 1925 Concerto Grosso No. 1 for string orchestra with piano obbligato is a neoclassical composition with 20th-century modal harmonies.
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Joseph Klein (born 1962 in Los Angeles, California) is an American composer, conductor, [1] and educator. He has taught at the University of North Texas College of Music since 1992, where he is currently Distinguished Teaching Professor and Chair of Composition Studies.
The Stars And Stripes Forever March, played by Ruby Brooks on banjo, 1902. Ruby Brooks (1861 – February 10, 1906) was an American banjoist, composer, and pioneer recording artist, sometimes called "King of Banjoists." He was influential on later banjo players such as Fred Van Eps. [1]