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This is an alphabetized list of notable solo pianists who play (or played) classical music on the piano. For those who worked with other pianists as piano duos, see List of classical piano duos (performers). For a list of recorded classical pianists, see List of classical pianists (recorded)
This is a list of notable performers who appeared as piano duos in classical music. Most of these pianists performed works for piano four-hands (two pianists at one piano; also known as piano duet) as well as works for two pianos, often with orchestras or chamber ensembles. Some of these teams focussed exclusively or predominantly on this ...
Jonathan Cain; John Cale; Vanessa Carlton; Tim Carmon; Richard Carpenter; David Cassidy; Jo Ann Castle; Leonard Caston Jr. Nick Cave; Les Claypool (); Greyson Chance
Great Pianists of the 20th Century was a 200-CD box set released by Philips Records in 1999 and sponsored by Steinway & Sons. The box set comprises 100 volumes featuring 72 [ 1 ] pianists of the 20th century, each volume with two CDs and a booklet about the life and work of the featured pianist.
Cliburn's contributions to society were many and one of his greatest contributions was the Van Cliburn International Piano Competition. Lisa McCormick, writing in Sage Journals (2009), explains the competition this way: Founded in 1958, the Cliburn is held every four years and is open to pianists between the ages of 18 and 30.
This is a list of pianists of whom recordings survive who play (or played) classical music. For a more inclusive list not limited to recorded pianists, see also List of classical pianists (solo pianists) and List of classical piano duos (performers) (piano duos, trios, etc.).
Arthur Rubinstein in 1937, by Carl Van Vechten. Arthur Rubinstein KBE OMRI (Polish: Artur Rubinstein; 28 January 1887 – 20 December 1982) was a Polish-American pianist. [1] He is widely regarded as one of the greatest pianists of all time.
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities. [1