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Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. . Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and s
Claes Oldenburg (January 28, 1929 – July 18, 2022) was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects.
The artist chose an object of every-day life, erased its usual significance by giving it a new title, and from this point of view, gave a new purely esthetic meaning to the object. [ 19 ] [ 32 ] Menno Hubregtse argues that Duchamp may have chosen Fountain as a readymade because it parodied Robert J. Coady's exaltation of industrial machines as ...
This is a list of public art by Claes Oldenburg and Coosje van Bruggen, also termed their "large scale projects". Oldenburg (1929-2022) and van Bruggen (1942–2009) were married Swedish-American and American-Dutch sculptors (respectively), best known for their Installation art typically featuring very large replicas of everyday objects.
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]
Jeffrey Lynn Koons (/ k uː n z /; born January 21, 1955) [1] is an American artist recognized for his work dealing with popular culture and his sculptures depicting everyday objects, including balloon animals produced in stainless steel with mirror-finish surfaces. He lives and works in both New York City and his hometown of York, Pennsylvania.
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The term is most closely associated with the artwork of American artist Robert Rauschenberg (1925–2008) who coined the phrase Combine [4] to describe his own artworks that explore the boundary between art and the everyday world. By placing them in the context of art, he endowed a new significance to ordinary objects.