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A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:
By thinking of this blues progression in Roman numerals, a backup band or rhythm section could be instructed by a bandleader to play the chord progression in any key. For example, if the bandleader asked the band to play this chord progression in the key of B ♭ major, the chords would be B ♭-B ♭-B ♭-B ♭, E ♭-E ♭-B ♭-B ♭, F-E ...
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
Be they in major key or minor key, such I–IV–V chord progressions are extended over twelve bars in popular music—especially in jazz, blues, and rock music. [36] [37] For example, a twelve-bar blues progression of chords in the key of E has three sets of four bars: E–E–E–E7 A–A–E–E B7–A–E–B7;
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
One example of a widely used chord progression in Western traditional music and blues is the 12 bar blues progression. Although any chord may in principle be followed by any other chord, certain patterns of chords are more common in Western music, and some patterns have been accepted as establishing the key in common-practice harmony—notably ...
Three-chord progressions are common in earlier pop and rock, using various combinations of the I, IV and V chords, with the twelve-bar blues particularly common. A four chord progression popular in the 1950s is I-vi-ii-V, which in the key of C major is the chords C major, a minor, d minor and G7. Minor and modal chord progressions such as I ...