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In 1965, Leslie sold his business to CBS who, in 1980, sold it to Hammond. Suzuki Musical Instrument Corporation subsequently acquired the Hammond and Leslie brands. Because the Leslie is a sound modification device in its own right, various attempts have been made to simulate the effect using electronic effect units.
Pages in category "Musical instrument parts and accessories" The following 44 pages are in this category, out of 44 total. This list may not reflect recent changes .
Mechanical or electronic devices, other than instruments, constructed to create or aid in the creation of musical sounds ... hardware sequencers (or devices which incorporate them) for example, the "stomp boxes" popular with guitarists, "loopers" used for Live looping, samplers ....
"Unearthing the Mysteries of the Leslie Cabinet" Recording Engineer/Producer, April 1981 [29] "Designing a Conical Bass-Horn Control Room" Recording Engineer/Producer, March 1987 [ 30 ] Guest Editorial-"No Sweat, No Music – A Player Laments the Spread of Computer Dependency" Keyboard Magazine, August 1985 [ 31 ]
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The CX-3 does not have an 11-pin Leslie speaker jack, a feature found on vintage Hammond B-3's and on earlier clonewheel organs. Besides the balance between the horn and the rotor the Leslie simulator offers many programmable details: slow speed, fast speed, up transition time, down transition time and stop transition time, and microphone ...
A lawyer, a kingpin, and his wife walk into a musical, and “Emilia Pérez” is born, Frenchman Jacques Audiard’s full-bodied, colorful epic about transformation, redemption and finding one ...
This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period. As their sound developed with each album, and their audience expanded with each tour, John Entwistle and Pete Townshend, supported by sound engineer Bob Pridden, became known for constantly changing their stage equipment.