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Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
The lyric became the dominant mode of French poetry during this period. [23]: 15 For Walter Benjamin, Charles Baudelaire was the last example of lyric poetry "successful on a mass scale" in Europe. [24] In Russia, Aleksandr Pushkin exemplified a rise of lyric poetry during the 18th and early 19th centuries. [25]
The Preface to Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition published in 1800 of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. It came to be seen as a de facto manifesto of the Romantic movement. [1]
Before setting the name of the medium "essay poetry," Denny Januar Ali has changed his name several times, starting from lyrical opinion, lyrical essays, opinion poetry, and narrative poetry. The choice of the name for the essay poem is the final result of a discussion conducted by Denny Januar Ali and his colleagues, namely Sapardi Djoko ...
In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]
An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology.
For example, Lucy can be seen as a connection between humanity and nature, as a "boundary being, nature sprite and human, yet not quite either. She reminds us of the traditional mythical person who lives, ontologically, an intermediate life, or mediates various realms of existence."
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
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