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  2. Difference and Repetition - Wikipedia

    en.wikipedia.org/wiki/Difference_and_repetition

    Deleuze's 'Difference and Repetition': A Reader's Guide. New York and London: Continuum, 2009. Somers-Hall, Henry. Deleuze's 'Difference and Repetition: An Edinburgh Philosophical Guide. Edinburgh: Edinburgh University Press, 2013; Williams, James. Gilles Deleuze’s 'Difference and Repetition': A Critical Introduction and Guide.

  3. Category:Works by Gilles Deleuze - Wikipedia

    en.wikipedia.org/wiki/Category:Works_by_Gilles...

    Download as PDF; Printable version; In other projects ... Pages in category "Works by Gilles Deleuze" ... Dialogues (Deleuze book) Difference and Repetition; E ...

  4. Gilles Deleuze - Wikipedia

    en.wikipedia.org/wiki/Gilles_Deleuze

    Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.

  5. Cinema 1: The Movement Image - Wikipedia

    en.wikipedia.org/wiki/Cinema_1:_The_Movement_Image

    Against this background', comments Sinclair, 'Gilles Deleuze's return to Bergson in the 1950s and 1960s looks all the more idiosyncratic'. [8] As Sinclair goes on to explain, over a series of publications including Bergsonism (1966) and Difference and Repetition (1968), Deleuze championed Bergson as a thinker of 'difference that proceeds any ...

  6. Deterritorialization - Wikipedia

    en.wikipedia.org/wiki/Deterritorialization

    Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a "line of flight", but deterritorialization also "constitutes and extends" the territory itself.

  7. Cinema 2: The Time-Image - Wikipedia

    en.wikipedia.org/wiki/Cinema_2:_The_Time-Image

    According to Rodowick, 'time-images emerge from what Deleuze calls, in Difference and Repetition, the three passive syntheses of time'. [6] A number of other theorists have gone on to suggest very different relations between Deleuze's full taxonomy of cinema and Difference and Repetition . [ 7 ]

  8. Desiring-production - Wikipedia

    en.wikipedia.org/wiki/Desiring-production

    Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...

  9. Category:Gilles Deleuze - Wikipedia

    en.wikipedia.org/wiki/Category:Gilles_Deleuze

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