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Idealised Portrait of a Young Woman as Flora; In a Park; In a Warm Land; In the Conservatory (Bartholomé) In the Dining Room; The Infanta Maria Theresa of Spain; Portrait of Infanta Isabella Clara Eugenia (Rubens) Innocence (Corinth) The Interior of an Atelier of a Woman Painter (Lemoine) Ippy and Gertie Posing at Fashion House Hirsch, Amsterdam
However, when women portray themselves, self-portraiture takes on additional meanings, often subverting social and artistic norms. For women artists, the practice of self-portraiture has historically represented a territory of claiming space in a predominantly male world, in which their contributions were often ignored or marginalized. [1]
Roman-Egyptian funeral portrait of a woman. Portraiture's roots are likely found in prehistoric times, although few of these works survive today. In the art of the ancient civilizations of the Fertile Crescent, especially in Egypt, depictions of rulers and rulers as gods abound. However, most of these were done in a highly stylized fashion, and ...
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa. [3] Lady with an Ermine is now housed at the Czartoryski Museum in Kraków, and is one of Poland's national treasures. [4]
The woman is depicted against a typical dark, uniform background, often used in Goya's portraits, which allows the viewer's attention to focus entirely on the figure. The only decorative element visible is the ornate chair back on the left.
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