Search results
Results from the WOW.Com Content Network
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
The MKII Tone Bender featured a cast chassis as per the original and used New Old Stock Mullard OC-75 Transistors. The Treble booster was to feature a circuit based on the famous Dallas Rangemaster using an OC-44 NOS transistor.
A 1966 Vox Tone Bender fuzz pedal. Released in 1965, Sola Sound's Tone Bender was a re-creation of the popular Maestro Fuzz-Tone, but with more sustain and intended for the European market. For U.S. distribution, Vox released a version in 1967 based on Sola Sound's MK1.5 Tone Bender update, one of many the pedal went through. With different ...
Vox produced a number of other models of 6 and 12 string electric guitars in both England and Italy. Guitar effects pedals, including an early version of the wah-wah, used by Jimi Hendrix, and the Tone Bender fuzzbox pedal, used by Jimmy Page of the Yardbirds, were also manufactured.
Mellotron (the MK II model was used only at Lennon's home and is now residing at Interscope Records) Moog synthesizer used during Abbey Road. Sequential Circuits Prophet-5 used during Double Fantasy; Vox Continental used at Shea Stadium and in the studio. Broke after Shea Stadium.
The first transistorized guitar effect was the 1962 Maestro Fuzz Tone pedal, which became a sensation after its use in the 1965 Rolling Stones hit "(I Can't Get No) Satisfaction". [ 45 ] [ 46 ] Warwick Electronics manufactured the first wah-wah pedal , [ 47 ] The Clyde McCoy, in 1967 and that same year Roger Mayer developed the first octave ...
Then the game started, Cooper set the tone with a couple powerful dunks and the laughter stopped. Said Kelly with a chuckle of her own, “We were up like 25-0 before they even knew what hit them
The Fuzz Face is particularly similar to the Sola Sound unit known today as the "Mk1.5" Tone Bender. The main difference is that the Fuzz Face is biased slightly colder, making it more usable in warm environments. [clarification needed] The original instructions even described the Fuzz Face as a "Tone-Bending" unit. [3]