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Jones, Richard D. P. (2013), The Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit, Oxford University Press, ISBN 9780199696284 Schulenberg, David (2006), The Keyboard Music of J.S. Bach (second ed.),
As Graham points out, at 0:49 a wrong note intrudes: a few bars later you lose confidence as a result, and it becomes nervously skittish and rushed. There's a minor wrong note at 1:03, and another around 1:44. At 1:35, it's a little too blurred for me. 1:55, the critical octave C-naturals are lost.
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes.
The toccatas represent Bach's earliest keyboard compositions known under a collective title. [1] The earliest sources of the BWV 910, 911 and 916 toccatas appear in the Andreas-Bach Book, [2] an important collection of keyboard and organ manuscripts of various composers compiled by Bach's oldest brother, Johann Christoph Bach between 1707 and 1713.
The Toccata in B-flat major is a piece for solo piano written in 1932 by Aram Khachaturian. It is a favorite of piano students, and has been recorded many times. Khachaturian wrote this work as the first movement of a three-movement suite for piano: Toccata; Waltz-Capriccio; Dance. [citation needed]
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An opposed point of view holds that the orchestral Bachianas No. 2 was put together from preexistent and unrelated pieces, three originally for cello and piano (O canto do capadócio, O canto da nossa terra, and O trenzinho do caipira), the other (Lembrança do sertão) for solo piano (Peppercorn 1991a, 103; Peppercorn 1991b, 33–34).
The Toccata in D minor, Op. 11 is a piece for solo piano, written by Sergei Prokofiev in 1912 [1] and debuted by the composer on December 10, 1916, in Petrograd. [1] It is a further development of the toccata form, which has been used by composers such as Johann Sebastian Bach and Robert Schumann .