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Zhongyong's) 父 fù father 利 lì profit 其 然 也 qí rán yě the thing (that he be invited) {} 父 利 {其 然 也} {} fù lì {qí rán yě} (Zhongyong's) father profit {the thing} The father considered the thing as profitable . For an adjective, it becomes an observation in the form of "consider (object) (the adjective)". ex: 漁 yú fish 人 rén man 甚 shèn very 異 yì strange ...
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE.
Regulated verse – also known as Jintishi (traditional Chinese: 近體詩; simplified Chinese: 近体诗; pinyin: jìntǐshī; Wade–Giles: chin-t'i shih; lit. 'modern-form poetry') – is a development within Classical Chinese poetry of the shi main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types.
Pailü (Chinese: 排律; pinyin: páilǜ; Jyutping: paai4leot6) is one of the main forms of Classical Chinese poetry. It is a style of regulated verse (jintishi): the rules and regulations of the pailü allow for a poem composed of an unlimited series of linked couplets. The pailü form seems to have developed as part of 7th-century Tang poetry.
Lüshi (traditional Chinese: 律詩; simplified Chinese: 律诗; pinyin: lǜshī; Wade–Giles: lü-shih) refers to a specific form of Classical Chinese poetry verse form. . One of the most important poetry forms of classical Chinese poetry, the lüshi refers to an eight-line regulated verse form with lines made up of five, six, or seven characters; thu
tā He 打 dǎ hit 人。 rén person 他 打 人。 tā dǎ rén He hit person He hits someone. Chinese can also be considered a topic-prominent language: there is a strong preference for sentences that begin with the topic, usually "given" or "old" information; and end with the comment, or "new" information. Certain modifications of the basic subject–verb–object order are permissible and ...
The literary critic and sinologist Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's The Classic Chinese Novel.
[1]: 230 They are some of the earliest Chinese literature written in the form of short and medium-length stories and have provided valuable inspiration plot-wise and in other ways for fiction and drama in later eras. Many were preserved in the 10th-century anthology, Taiping Guangji (Extensive Records of the Taiping Era). [2]