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Ipaglaban Mo! (transl. fight for it!), also known as Kapag Nasa Katwiran, Ipaglaban Mo! or Kapag May Katwiran...Ipaglaban Mo!, is a Philippine television public service and advocacy-driven legal drama anthology show broadcast by IBC, ABS-CBN, RPN, GMA News TV and Kapamilya Channel under ABS-CBN Studios, featuring dramatizations of actual cases brought and settled in the Supreme Court and Court ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
In most genres of popular music, including jazz, pop, and rock, a chord name and its corresponding symbol typically indicate one or more of the following: the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major ...
The tonic, subdominant, and dominant chords, in root position, each followed by its parallel. The parallel is formed by raising the fifth a whole tone.. The minor tonic, subdominant, dominant, and their parallels, created by lowering the fifth (German)/root (US) a whole tone.
Ferdinand Pascual Aguilar (Tagalog: [pɐsˈkwal ʔɐɣɪˈlaɾ]; born February 5, 1953), better known as Freddie Aguilar, [1] Ka Freddie Aguilar, or simply Ka Freddie, is a Filipino folk musician and singer-songwriter regarded as one of the pillars and icons of Original Pilipino Music (OPM).
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
The diagonal movement of chords is especially simple for the regular tunings that are repetitive, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists and ...