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"Ḥumāt ad-Diyār" (Arabic: في سبيل المجد والأوطان, lit. 'Guardians of the Homeland') was written as the national anthem of Syria, [a] with lyrics written by Khalil Mardam Bey and the music by Mohammed Flayfel, who also composed the national anthem of Iraq as well as many other Arab folk songs.
Claude Joseph Rouget de Lisle, the composer of the French national anthem "La Marseillaise", sings it for the first time. The anthem is one of the earliest to be adopted by a modern state, in 1795. Most nation states have an anthem, defined as "a song, as of praise, devotion, or patriotism"; most anthems are either marches or hymns in style. A song or hymn can become a national anthem under ...
Syrian national anthem may refer to: Ḥumāt ad-Diyār (English: Guardians of the Homeland ), de jure national anthem with an ambiguous status after the fall of the Ba'athist regime. Fī Sabīli al-Majd (English: In persuit of Glory ), de facto used as an anthem for Syria after the fall of the Ba'athist regime.
'O Sons of the Sahara'; Spanish: ¡O hijos del Sáhara! ) is the national anthem of the Sahrawi Arab Democratic Republic (SADR) of Western Sahara . In 1979, the song became the SADR's national anthem.
"National Anthem" [2] 1992–1999 2002–2006 Daoud Farani: Ustad Qasim [note 2] Afghanistan "Soroud-e-Melli" "National Anthem" 2006–2021 Abdul Bari Jahani: Babrak Wassa — Albania (Italian Protectorate) "Marcia Reale d'Ordinanza" "Royal March of Ordinance" 1939-1943 (royal anthem) Napoleone Giotti Giuseppe Gabetti — Armenia
" Wallāh Zamān, Yā Silāḥī" (Arabic: والله زمان يا سلاحي) was the national anthem of the United Arab Republic (UAR), a federation of Egypt and Syria, from 1960. Though the UAR disbanded in 1961, Egypt retained it as the official name of the state until 1971, and used its national anthem until 1979.
Landscape of Syrian mountain. A significant part of Syrian music is sung in prose that participates in the distinctness of the Middle Eastern sound. [8] There is an intersection of elements in Syrian music that give it a distinct sound as well as being a driving force in many of the music traditions found in Syria.
The song was popular during the remainder of the First Empire, with Hortense in her exile at Arenenberg, and with the Bonapartists during the Bourbon Restoration. "Partant pour la Syrie" was the unofficial national anthem during the Second Empire, an era when "La Marseillaise" was regarded with suspicion. [2]