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Appalachian Spring is an American ballet created by the choreographer Martha Graham and the composer Aaron Copland, later arranged as an orchestral work. Commissioned by Elizabeth Sprague Coolidge , Copland composed the ballet music for Graham; the original choreography was by Graham, with costumes by Edythe Gilfond and sets by Isamu Noguchi .
Appalachian Spring; ballet (1944) Arrangement of Appalachian Spring for orchestra (1944) Letter from Home for orchestra (1944, revised in 1962) Midday Thoughts for piano (1944/82) Jubilee Variations for orchestra (1945) The Cummington Story; film score (1945) Symphony No. 3 for orchestra (1946) Arrangement of Danzón cubano for orchestra (1946)
Connotations is scored for full symphony orchestra with augmented percussion. The complete ensemble includes piccolo, three flutes (third flute doubling second piccolo), two oboes, cor anglais, two clarinets, E-flat clarinet, bass clarinet, three bassoons (third bassoon doubling contrabassoon), six horns, four trumpets, four trombones, tuba, tympani, five percussionists (glockenspiel ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
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Davies's recordings of note include Copland's Appalachian Spring with the Saint Paul Chamber Orchestra in 1979, for which he won a Grammy Award; Arvo Pärt's Fratres and Miserere; and many of Philip Glass's operas and symphonies, including the 5th symphony, which is dedicated to Davies. He premiered Glass' Symphony No. 10 at a 2012 New Year's ...
That game spring-boarded South Carolina’s program. It won 11 games for the first time ever — then did it two more times. Obviously, beating No. 1 Alabama is a bigger deal than knocking off No ...
Symphony No. 3 was Aaron Copland's final symphony.It was written between 1944 and 1946, and its first performance took place on October 18, 1946 with the Boston Symphony Orchestra performing under Serge Koussevitzky.