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The same is true of the commentary to Lamentations 1:21 [13] for which there was used a proem on the Pesiqta section Isaiah 51:12, intended originally for the fourth Sabbath after Tisha B'Av, and a section which had for its text this verse of Lamentations (pericope 19, p. 138a); and also in regard to the comment to Lamentations 3:39, [14] which ...
The Biblical lyrics reference Lamentations 3:22-23. [2] The song was exposed to wide audiences after becoming popular with Dr. William Henry Houghton of the Moody Bible Institute and Billy Graham, who used the song frequently on his international crusades. [3]
Jeremiah resisted the call by complaining that he was only a child and did not know how to speak, [25] but the Lord placed the word in Jeremiah's mouth, [26] commanding "Get yourself ready!" [ 27 ] The qualities of a prophet listed in Jeremiah 1 include not being afraid, standing up to speak, speaking as told, and going where sent. [ 28 ]
[3] [8] [24] In many manuscripts and for Synagogue use, Lamentations 5:21 is repeated after verse 22, so that the reading does not end with a painful statement, a practice which is also performed for the last verse of Isaiah, Ecclesiastes, and Malachi, [25] "so that the reading in the Synagogue might close with words of comfort". [26]
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
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The passage in chapter 3, with its repetition of "A time to ..." has been used as a title in many other cases, including the novels A Time to Dance by Melvyn Bragg and A Time to Kill by John Grisham , the records ...And a Time to Dance by Los Lobos and A Time to Love by Stevie Wonder , and films A Time to Love and a Time to Die , A Time to Live ...
A look at the lives of Dr. Susan Smith McKinney Steward, the first Black female doctor in New York, and her sister Sarah J. S. Tompkins Garnet, the first Black female principal in NYC.
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