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Norton notes that "complete in sense and form, unadapted to the traditional tunes and unaccompanied by music, the Sidney Psalter could appeal to the religious populace.", [29] which shows that what prevented Sidney's psalms from being accepted by the Church was her adaptation of the psalm to traditional poetry and her additional song-like quality.
Anglican chant, also known as English chant, [1] [2] is a way to sing unmetrical texts, including psalms and canticles from the Bible, by matching the natural speech-rhythm of the words to the notes of a simple harmonized melody. [3] This distinctive type of chant is a significant element of Anglican church music.
Deus, in adiutorium meum intende in the Book of Hours of Marguerite Louise d'Orléans Deus, in adiutorium meum intende in Très Riches Heures du Duc de Berry "Deus, in adiutorium meum intende", with the response "Domine, ad adiuvandum me festina" (respectively, "O G OD, come to my assistance" and "O L ORD, make haste to help me") are the first verse of Psalm 70 (Psalm 69 in the Vulgate): "Make ...
The intonation defines the notes for the first two or three syllables, with subsequent words sung on the reciting tone. Because of the parallel structure typical of the Psalms, psalm verses divide into two roughly equal parts; the end of the first part is indicated by the mediant, a slight
Psalm 1 is the first psalm of the Book of Psalms, beginning in the English King James Version: "Blessed is the man", and forming "an appropriate prologue" to the whole collection according to Alexander Kirkpatrick. [1] The Book of Psalms is part of the third section of the Hebrew Bible, [2] and a book of the Christian Old Testament.
Chichester Psalms is an extended choral composition in three movements by Leonard Bernstein for boy treble or countertenor, choir and orchestra. The text was arranged by the composer from the Book of Psalms in the original Hebrew. Part 1 uses Psalms 100 and 108, Part 2 uses 2 and 23, and Part 3 uses 131 and 133. [1]
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