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Deus, in adiutorium meum intende in the Book of Hours of Marguerite Louise d'Orléans Deus, in adiutorium meum intende in Très Riches Heures du Duc de Berry "Deus, in adiutorium meum intende", with the response "Domine, ad adiuvandum me festina" (respectively, "O G OD, come to my assistance" and "O L ORD, make haste to help me") are the first verse of Psalm 70 (Psalm 69 in the Vulgate): "Make ...
Anglican chant, also known as English chant, [1] [2] is a way to sing unmetrical texts, including psalms and canticles from the Bible, by matching the natural speech-rhythm of the words to the notes of a simple harmonized melody. [3] This distinctive type of chant is a significant element of Anglican church music.
The intonation defines the notes for the first two or three syllables, with subsequent words sung on the reciting tone. Because of the parallel structure typical of the Psalms, psalm verses divide into two roughly equal parts; the end of the first part is indicated by the mediant, a slight
Psalm 69 is the 69th psalm of the Book of Psalms, beginning in English in the King James Version: "Save me, O God; for the waters are come in unto my soul". It is subtitled: "To the chief musician, upon Shoshannim, a Psalm of David". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament.
Psalm 1 is the first psalm of the Book of Psalms, beginning in the English King James Version: "Blessed is the man", and forming "an appropriate prologue" to the whole collection according to Alexander Kirkpatrick. [1] The Book of Psalms is part of the third section of the Hebrew Bible, [2] and a book of the Christian Old Testament.
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Psalms are often referred to as sacred songs or hymns, the word Psalm originating from the Greek psallein meaning "to pluck". However, despite Sidney's musical use of rhyme and rhythm, it has been argued that Sidney's Psalms inject a stronger poetic theme rather than a musical one: "Sidney and especially Pembroke put into thorough practice ...