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Behaghel's laws describe the basic principles of the position of words and phrases in a sentence. They were formulated by the linguist Otto Behaghel in the last volume of his four volume work Deutsche Syntax: Eine geschichtliche Darstellung (published 1923–1932). They include the following cross-language principles:
The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars. [1] A free version is also hosted online.
His Corpus, Concordance, Collocation formulated the "idiom principle". [4] Though he had written many books, at his valedictory lecture in 2000 he stated that none of his many published articles passed successfully through peer-review, and that even an article he had been invited to write for a journal was peer-reviewed by mistake and rejected.
An idiom is a common word or phrase with a figurative, non-literal meaning that is understood culturally and differs from what its composite words' denotations would suggest; i.e. the words together have a meaning that is different from the dictionary definitions of the individual words (although some idioms do retain their literal meanings – see the example "kick the bucket" below).
The Libersign, a political emblem of the U.S. Libertarian Party during the 1970s, features an arrow diagonally crossing the letters "TANSTAAFL". "No such thing as a free lunch" (also written as "There ain't no such thing as a free lunch" and sometimes called Crane's law [1]) is a popular adage communicating the idea that it is impossible to get something for nothing.
The count sense of the word idiom, referring to a saying with a figurative meaning, is related to the present sense of the word by the arbitrariness and peculiarity aspects; the idiom "she is pulling my leg" (meaning "she is humorously misleading me") is idiomatic because it belongs, by convention, to the language, whether or not anyone can ...
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The New Poetry is a poetry anthology edited by Al Alvarez, published in 1962 and in a revised edition in 1966. It was greeted at the time as a significant review of the post-war scene in English poetry. The introduction, written by Alvarez, is an essay called The New Poetry or Beyond the Gentility Principle.