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The smaller bowls and jars were more easily utilized in the Japanese tea ceremony and other contexts, and some Japanese pieces imitated Swatow shapes and decoration. [ 32 ] A wreck off the south coast of Vietnam at Binh Thuan carried a cargo whose surviving elements were Swatow ware and cast iron woks ; its excavation was published in 2004.
Jingdezhen dish of typical shape. Width: 18 5/8 in. (47.3 cm). For profile view see below. Kraak ware or Kraak porcelain (Dutch Kraakporselein) is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). [1]
Chu Đậu village in Hải Dương province was the major ceramic manufacturer [26] From 1436 to 1465, China’s Ming dynasty abruptly ceased trade with the outside world, creating a commercial vacuum that allowed Vietnamese blue-and-white ceramics to monopolize the markets for sometimes, especially in Maritime Southeast Asia.
The knowledge of the Chinese methods of the lacquer process spread from China during the Han, Tang and Song dynasties, [18] eventually it was introduced to Korea, Japan. [18] In Japan, the art of lacquerware-making came along with Buddhism and other cultural artifacts from China via the Korean Peninsula during the 8th century, [19] and carved ...
The Japanese Zen monk painter Sesshū Tōyō (Japanese: 雪舟等楊) travelled to Ming China, and stayed for about 10 years in Ming China learning painting. He was heavily influenced by the ink and wash painting, Zhejiang School of painting and the Yuanti School of painting.
Small cup with the "Five Treasures", Chenghua reign mark, 2.9 × 7 cm, PDF.767. Doucai (Chinese: 斗彩; Wade–Giles: tou-ts'ai) is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired.
The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century. They comprise the oldest extant non-primitive paintings in Japan.
File:Large decorated dish, China, Ming Dynasty, porcelain - Chazen Museum of Art - DSC01647.JPG
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