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Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].
Bal-i-Jibril is regarded as the peak of Iqbal's Urdu poetry. It consists of ghazals , poems, quatrains , epigrams and advises the nurturing of the vision and intellect necessary to foster sincerity and firm belief in the heart of the ummah and turn its members into true believers.
The Quran mentions "qalb" 132 times and its root meaning suggests that the heart is always in a state of motion and transformation. According to the Quran and the traditions of Muhammad , the heart plays a central role in human existence, serving as the source of good and evil, right and wrong.
Musaddas (Urdu: مسدس) is a genre of Urdu poetry in which each unit consists of 6 lines-sestain- (misra). Famous early writers employing this form are Mir Anis and Dabeer. Maulana Altaf Husain Hali and Waheed Akhtar are other well-known poets to find expression in this form of poetry. Particularly iconic is Hali's Madd-o-Jazr-e-Islam as an ...
Amir Hasan Ala Sijzi Dehlavi (Urdu: امیر حسن علا سجزی دہلوی; 1254 – 1337) was an Indian Muslim poet, scholar and Sufi living in the Delhi Sultanate. He was a disciple of the Chishti master Nizamuddin Auliya , and the compiler of the Persian Sufi manual Fawa'id al Fu'ad (Morals for the Heart) in which the discourses of ...
Tadabbur-i-Qur'an (Urdu: تدبر قرآن) is a exegeses of the Qur'an by Amin Ahsan Islahi based on the concept of thematic and structural coherence, which was originally inspired by Allama Hamiduddin Farahi. The tafsir is extended over nine volumes of six thousand pages.
Rekhti (Urdu: ریختی, Hindi: रेख़ती), is a form of Urdu feminist poetry. A genre developed by male poets, [1] it uses women's voices to talk about themselves. [2] [3] [4] It was formed in 19th-century Lucknow, then part of the State of Awadh (now in Uttar Pradesh, India). [1] The poet Saadat Yaar Khan Rangin is credited with its ...
He can "talk to himself", "to somebody else", "refer to something" etc. For example Firaq Gorakhpuri, whose takhallus is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word firaq: Urdu: تو یہ نہ سمجھنا کے فِراق تیری فِراق میں ہیں