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He is best known for his stained glass, although he also designed jewellery. His best known works include the Argyll Window in Saint Giles Cathedral, Edinburgh (1896) and windows depicting both the nativity (Mayfield Church, 1912) and the Crucifixion (The Church of the Good Shepherd, Murrayfield).
Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2 ...
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
Some suncatchers. A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. [1] [additional citation(s) needed] A suncatcher is like the optical equivalent of a wind chime.
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
The Smith Museum of Stained Glass Windows was an exhibition that opened in February 2000 at Chicago’s Navy Pier entertainment complex. It permanently closed in October 2014. [ 1 ] It was the first American museum dedicated solely to the art of stained glass windows .
Gabriel Loire (April 21, 1904 – December 27, 1996) was a French stained glass artist of the twentieth century whose extensive works, portraying various persons or historical scenes, appear in many venues around the world.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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