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In gospel and soul music, the band often vamps on a simple ostinato groove at the end of a song, usually over a single chord. In soul music, the end of recorded songs often contains a display of vocal effects—such as rapid scales, arpeggios, and improvised passages. For recordings, sound engineers gradually fade out the vamp section at the ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The first song would be on the inside front cover, numbered 00 with the first song inside the book being numbered 1-A, and the rest of the songs were numbered 1 through 138. Each book included four or five older public domain songs such as John Newton 's " Amazing Grace ", Mackay's "Revive Us Again", Stennett's "I Am Bound for the Promised Land ...
A significant difference between soprano and bass clarinet key work is a key pad played by the left-hand index finger with a vent that may be uncovered for certain high notes. This allows a form of "half-hole" fingering that allows notes in higher registers to be played on the instrument.
Some clarinets, particularly bass clarinets and lower, have separate keys, or a more complex key mechanism, to control two or three separate holes for playing B♭, for playing the lower notes of the second register, and for playing the upper notes of the second register.
Bass clarinet — An octave below the B ♭ clarinet often with an extended low range. B ♭ bass clarinet — The standard bass. Common variants extend to either low C or low E ♭. “A” bass clarinet — Very rare today, more common around 1900, though bass clarinets in A and C as well as B ♭ were being advertised at least through 1927. [7]
D clarinet: D 4: B soprano clarinet: B 3: B ♭ clarinet: B ♭ 3: A soprano clarinet: A 3: Basset clarinet: A 3: A ♭ soprano clarinet: A ♭ 3: Clarinet d’amour: G 3: G Basset clarinet G 3: Basset horn F 3: Alto clarinet: E ♭ 3: C bass clarinet C 3: Bass clarinet B ♭ 2: Contra-alto clarinet: E ♭ 2: Contrabass clarinet: B ♭ 1 ...
How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names ...