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In gospel and soul music, the band often vamps on a simple ostinato groove at the end of a song, usually over a single chord. In soul music, the end of recorded songs often contains a display of vocal effects—such as rapid scales, arpeggios, and improvised passages. For recordings, sound engineers gradually fade out the vamp section at the ...
A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass).
The Cathedral Quartet, also known as the Cathedrals, was an American southern gospel quartet who performed from 1964 to December 1999. [3] The group's final lineup consisted of Glen Payne (lead), George Younce (bass), Ernie Haase (tenor), Scott Fowler (baritone and bass guitar), and Roger Bennett (piano and rhythm guitar).
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
In the 20th and 21st century, figured bass is also sometimes used by classical musicians as a shorthand way of indicating chords when a composer is sketching out ideas for a new piece or when a music student is analyzing the harmony of a notated piece of music (e.g., a Bach chorale or a Chopin piano prelude). Figured bass is not generally used ...
Equivalent patterns in 4 4 and 3 4 [1] Play 4 4 ⓘ and Play 3 4 ⓘ Alberti bass patterns on V 7 Alberti bass in the opening of Thomas Attwood's (1765–1838) Sonatina in G Major [2] Play ⓘ Alberti bass in the opening of Muzio Clementi's Sonatina in G, Op. 36, No. 2 (1797) [3] Play ⓘ The opening of the 5th of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces ...
Elmer Ellsworth McMeen, III (known as El McMeen) (born June 3, 1947 in Lewistown, Pennsylvania), is an acoustic steel-string fingerstyle guitarist.His specialty is fingerstyle arrangements of sung or strongly melodic pieces, ranging from the Irish genre, to hymns, gospel tunes and pop music.
The classical example features inversions to emphasize the bass line's independence while the jazz examples feature root progression by fifths and "perfectly smooth voice leading" produced by the 7th of each chord falling a semitone to become the 3rd while the 3rd becomes the 7th of that chord. [4] ii–V–I