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  2. Light in painting - Wikipedia

    en.wikipedia.org/wiki/Light_in_painting

    Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...

  3. Hand-colouring of photographs - Wikipedia

    en.wikipedia.org/wiki/Hand-colouring_of_photographs

    A hand-coloured daguerreotype by J. Garnier, c. 1850. Hand-colouring (or hand-coloring) refers to any method of manually adding colour to a monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. [1] Hand-colouring is also known as hand painting or overpainting.

  4. Light painting - Wikipedia

    en.wikipedia.org/wiki/Light_painting

    Light painting inside an abandoned limestone quarry in France. Light painting, painting with light, light drawing, light art performance photography, or sometimes also freezelight are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the ...

  5. Lightpainting - Wikipedia

    en.wikipedia.org/wiki/Lightpainting

    Glass is cut into various sizes and shapes that determine planes of color and other elements that can be used much as in traditional painting or sculpture. Lightpainting (one word) is not to be confused with light painting (two words), the latter of which is a photographic process recording traces of light on film or digital media to create ...

  6. Raking light - Wikipedia

    en.wikipedia.org/wiki/Raking_light

    Raking light across a wall, gives a relief like impression. Sunlight at a narrow angle, flowers in the window cast long shadows on an inner wall. Raking light, the illumination of objects from a light source at an oblique angle or almost parallel to the surface, provides information on the surface topography and relief of the artefact thus lit.

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