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Marcato (short form: Marc. ; Italian for marked ) is a musical instruction indicating a note , chord , or passage is to be played louder or more forcefully than the surrounding music. The instruction may involve the word marcato itself written above or below the staff or it may take the form of the symbol ∧, [ 1 ] [ 2 ] [ 3 ] an open vertical ...
A lively piece, free in form, often used to show musical skill Cavatina: small instrumental tone: A simple melody or song Coda: tail: The end of a piece Concerto: concert: A work for one or more solo instruments accompanied by an orchestra Concertino: little concert: A short concerto; the solo instrument in a concerto Concerto grosso: big concert
An instruction to string performers to play a pizzicato note to pull the string away from the fingerboard so that it snaps back percussively on the fingerboard. bass The lowest of the standard four voice ranges (bass, tenor, alto, soprano); the lowest melodic line in a musical composition, often thought of as defining and supporting the harmony ...
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay.
Mark McGrain writes about articulation on page 156 in his book Music Notation: Theory and Technique for Music Notation, where marcato accent in the third mark shown is referred to as the forzato accent, and the symbol as just an accent is referring to as the sforzando accent. "Neither of these accents alter the durational value of the note or ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
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Allegro moderato molto e marcato – Quasi presto – Andante maestoso (A minor → F major → A minor → A major) The third movement opens in A minor 2 4 time with an energetic theme (Theme 1), which is influenced by the Norwegian Halling dance: It is followed by a lyrical theme in F major (Theme 2). The movement returns to Theme 1.