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The layout of the museum involved both floors which consisted of three bedrooms, a kitchen, and an attic that had been converted into the curator's quarters. While there was no mention of a bathroom or living room area, the museum included a red barn beside the house which operated as a gift shop. [4]
Notable rooms include the Danger Room and a room containing Cerebro. The Headmasters Office of Cyclops and Emma Frost is on the top floor. The basketball court is a popular hang-out. It was the site of a basketball game in X-Men #4 (Jan. 1992) in which the X-Men used their mutant powers.
Alpha, Bravo, and Cordova are tortured by the cartel in a room. El Diablo reveals his true identity as Salem, who survived the explosion and was forced to face the Cartel by himself. Surviving, he joined forces with Bautista and feels betrayed by Rios and the duo for not checking to see if he was alive. Salem kills Cordova and leaves.
Her room — 14 foot, 8 inch-by-13 foot — went unnoticed for decades. The space was converted into a men's bathroom in 1941, considered by some as the final insult to Hemings' legacy. See images ...
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After establishing Trans World Operations (TWO), private military contractors Tyson Rios and Elliot Salem head to Shanghai, where they are tasked with meeting their contact, JB. He leads the two to a back alley to collect their gear and weapons before proceeding to plant locator beacons throughout strategic locations in Shanghai.
Cosplay images should not be in the infobox or lead of an article unless the subject is a cosplayer or used to represent a copy-protected character in any way. However, cosplay images may be used to illustrate sourced content about the real world impact that cosplay has had on a copy-protected character. This content may be placed in a 'Popular ...
The second building is smaller and is used for greenhouses and living quarters. [13] The new expansion includes spaces for visitor services, concerts, special exhibitions, and education and landscape programs, furthering Isabella Gardner's legacy in art, music, and horticulture while reducing 21st-century strain on the collection and galleries.