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Inuit vocal games are usually played by two women facing each other in close proximity. They use the other participant's oral cavity as resonators but may also play under a kitchen pot for the resonances to be more pronounced. The game consists of repeating meaningless words in tight rhythmic canon. The strong accent of one participant ...
Originally, katajjaq was a form of entertainment among Inuit women while men were away on hunting trips, and it was regarded more as a type of vocal or breathing game in the Inuit culture rather than a form of music. [4] [5] Katajjiniq sound can create an impression of rhythmic and harmonious panting. Inuit throat singing can also imitate wind ...
To help pass through the long cold winters, this game was played as a way to express their culture with enjoyment. [8] In the traditional practice of Inuit throat singing, the game is played typically by two women that stand across from each other. They sometimes rock side to side and slightly bounce while they are singing.
Throat singing techniques may be classified under an ethnomusicological approach, which considers cultural aspects, their associations to rituals, religious practices, storytelling, labor songs, vocal games, and other contexts; or a musical approach, which considers their artistic use, the basic acoustical principles, and the physiological and mechanical procedures to learn, train and produce ...
Throat-singing is used as the basis for a game among the Inuit where each performer attempts to keep up their pace and rhythm of the duet without failing. The winner of this game is the one to beat the largest number of people in these contests. Narrow-ranged melodies and declamatory effects are common, as in the Northwest.
Rekukhara, also known as rekutkar (composed from the Ainu words for throat, rekut, and produce kar), was a vocal game popular amongst Sakhalin Ainu, and used throat singing techniques comparable to katajjaq, the Inuit singing style. A game was typically played by two to ten people at a time, always in pairs.
Celina Kalluk is a Canadian Inuk artist. She creates and performs in several mediums, notably the tradition of Inuit throat singing.In addition to her work as a musician, Kalluk has also worked as an actress, educator, and a children's author, publishing her debut work in 2014.
It was the place where the storytelling, dancing, singing, and games (high-kick games [6]) that so enriched Yupik and Inuit life took place. [7] The qargi was a communal building in which women were usually not permitted. [5] Prior to the arrival of Christian missionaries in the 1890s, every Inupiaq settlement had one or more of these ...