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Poison Girls were involved with the production of Aids — The Musical, through a company called The Lenya Hobnoobs Theatre Company. They did another show called Mother Russia was a Lesbian in 1992, and reunited for a show at the London Astoria II in 1995, celebrating the 60th birthday of Vi Subversa.
Frances Sokolov (20 June 1935 – 19 February 2016), [1] better known by her stage name Vi Subversa, was the lead singer, lyricist and rhythm guitarist of British anarcho-punk band Poison Girls. [2] Subversa was born of Ashkenazi Jewish parents.
Where's the Pleasure? is the third studio album by UK band Poison Girls. It was released by Xntrix Records in 1982. [3] The album mostly moved away from the political topics of previous releases, focusing more on sexual matters. [4]
Hex is the debut studio album by English anarcho-punk band Poison Girls, co-released in 1979 by Small Wonder and Xntrix Records.In a 2016 retrospective article following the death of Vi Subversa, The Independent considered the album "essentially one song". [2]
The next Crass single, 1980's "Bloody Revolutions", was a benefit release with Poison Girls that raised £20,000 to fund the Wapping Autonomy Centre. [23] The words were a critique (from an anarchist-pacifist perspective) of the traditional Marxist view of revolutionary struggle and were partly a response to violence marring a September 1979 ...
Fatal Microbes were an English punk rock band formed in 1978. The main line-up of the band consisted of Honey Bane on vocals, Gem Stone on drums, Pete Fender on guitar and Scotty Barker on bass. [ 1 ]
The music video to "Fallen Angel" mostly follows the lyrics to the song, and was in heavy rotation on MTV.In the video, a young blonde (portrayed by model Susie Hatton, then Michael's girlfriend) tells her family, at dinner, that she is leaving for California at the end of the week, a statement that surprises and silences them.
Look What the Cat Dragged In is the debut studio album by American glam metal band Poison, released on May 23 1986, by Enigma Records and Capitol Records. [4] Though not a success at first, it steadily built momentum and peaked at #3 on the US Billboard 200 on May 23, 1987.