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"Satu Malaysia" ("One Malaysia" - The Anthem for the 52nd Merdeka Day) "Malaysiaku Berdaulat Tanah Tumpahnya Darahku" ("My Sovereign Malaysia, My Native Land") - The Anthem for the 56th Merdeka Day) "Malaysia, Disini Lahirnya Sebuah Cinta" ("Malaysia, Where the Love Is Born" - The Anthem for the 57th Merdeka Day)
Interfaith greetings (Indonesian: Salam Lintas Agama), sometimes referred as Bhinneka greetings (Indonesian: Salam Kebhinekaan), [1] are often used to open formal meetings in Indonesia. The phrases combine the greeting phrases of several or all major religions in Indonesia.
After the death of four students in the 1998 Trisakti shootings, the media used the lyrics gugur satu, tumbuh seribu as a slogan for the reformation movement and to indicate that the students had not died in vain. Today the line gugur satu, tumbuh seribu has entered common usage, with the meaning of "One falls, a thousand arise". [2]
Yang ikhlas berjuang. Siap sedia berkorban, Untuk ibu pertiwi! Sebelum kita berjaya, Jangan harap kami pulang! Inilah sumpah pendekar kita, Menuju medan bakti! Andai kata kami gugur semua, Taburlah bunga di atas pusara. Kami mohon doa, Malaysia berjaya! Semboyan telah berbunyi, Menuju medan bakti!
Berjaya is a patriotic Malaysian national song.This song was composed by Saiful Bahri Elyas (Saiful Bahri) in a day and performed by Jamaluddin Alias which was given wide air-time play by Radio Televisyen Malaysia (RTM) in the late 1960s and early 1970s.
Agama, states Dhavamony, is also a "generic name of religious texts which are at the basis of Hinduism". [8] Other terms used for these texts can include saṃhitā (“collection”), sūtra (“aphorism”), or tantra ("system"), with the term "tantra" utilized more frequently for Shakta agamas, than for Shaiva or Vaishnava agamas.
Sikhs were initially sent to British Malaya as political prisoners. The first few Sikhs to arrive in British Malaya were Nihal Singh (better known as Bhai Maharaj Singh) and Khurruck Singh, who were deported from India due to anti-British involvement in 1849. [7]
"2 Baddies" was produced by Aron Bergerwall, Louise Lindberg, Tony Ferrari, Parker James, Cazzi Opeia and Ellen Berg, while arrangement was helmed by Bergerwall (under the alias of Aron Wyme) and Imlay. "2 Baddies" is composed of strong vocal chants in the chorus, fast rap verses, and vocal-centered pre-choruses and bridge.