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Fonts of astonishing height, width and depth appeared: expanded, contracted, shadowed, inlined, fattened, faceted and floriated. Serifs abandoned their role as finishing details to become independent architectural structures, and the vertical stress of traditional letters canted in new directions.
Samples of Calligraphic Script typefaces Typeface name Example 1 Example 2 Example 3 American Scribe: AMS Euler Designer: Hermann Zapf, Donald Knuth: Apple Chancery Designer: Kris Holmes: Brush Script Designer: Robert E. Smith : Cézanne Designer: Michael Want, Richard Kegler: Coronet Designer: R. Hunter Middleton: Declaration Script: Declare ...
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.. Gill Sans is based on Edward Johnston's 1916 "Underground Alphabet", the corporate font of London Underground.
The name Umbra refers to its shadow effect, in which the actual letter shape consists of negative space and is defined solely by its black dimensional shadow. [3] Several other typefaces were created in similar style around the same time, including shadowed weights of Gill Sans. Nebiolo's Ombra, part of their Semplicità family, is very similar.
Sans-serif fonts with swashes are rarer, but some were released in the Art Deco and Streamline Moderne style of the 1930s, including for Tempo [13] and Semplicità. [14] Classiq by Yamaoka Yasuhiro, based on Garamond, contains swash italic designs, as do Goudy's Sans Serif Light Italic and Mr Eaves by Zuzana Licko , a sans-serif derivative of ...
Imprint MT Shadowed Imprint is a serif typeface created by Monotype , commonly used for body text. Originally called Imprint Old Face, it is a sturdy, amiable design with a large x-height , Caslon -like but with more regularity in its letterforms. [ 1 ]
This list of samples of serif typefaces details standard serif fonts used in printing, classical typesetting and printing.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...