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An overview of the Fat Wreck Chords compilations: Fat Music for Fat People – (1994) [1] Survival of the Fattest – (1996) [2] Physical Fatness- (1997) [3] Life in the Fat Lane – (1999) [4] Short Music for Short People – (1999) [5] Live Fat, Die Young- (2001) [6] Uncontrollable Fatulence – (2002) [7] Liberation: Songs to Benefit PETA ...
Hate Songs in E Minor is the debut studio album by British rock band Fudge Tunnel.It was released in May 1991 through Earache Records, [2] and issued in the United States on 20 August 1991 through Relativity Records.
Fat Wreck Chords (pronounced "Fat Records") is an independent record label based in San Francisco focused on punk rock. It was started by NOFX lead singer Michael Burkett (better known as Fat Mike) and his wife at the time, Erin Burkett in 1990. [1] As of 2009, Fat Wreck Chords has released over 300 studio albums. [1]
Fat Music is a series of eight compilation albums published by Fat Wreck Chords since 1994. The albums include artists from the label's roster, focusing on then-current and upcoming releases and often including previously unreleased material.
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: ... 1 5 8: Major Ninth augmented fifth chord [2] [4] Play ...
The band then met Fat Wreck Chords employee Toby Jeg at a show in the Mission District of San Francisco, California. When Jeg offered the band the opportunity to record a 7" single, Gabel asked if they could record a full-length instead; Jeg told Gabel he would call the label head, Fat Mike , to discuss the idea.
The Real McKenzies: Fat Club no. 3 7" single 2001-05-22 The Dickies: All This and Puppet Stew: LP, CD studio album FAT 608 2001-05-22 MxPx: The Renaissance EP: 12", CD EP FAT 631 2001-06-01 MxPx: Fat Club no. 4 7" single FAT 208 2001-06-19 Snuff: Blue Gravy: Phase 9: 10", CD EP FAT 627 2001-07-01 Strike Anywhere: Fat Club no. 5 7" single 2001 ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).