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"Oom-Pah-Pah" is a show tune with music and lyrics by Lionel Bart which appeared in the 1960 musical Oliver!, in which it is sung by Nancy and the crowd at the "Three Cripples" tavern. Although not an original music hall song, it recalls that genre. [ 1 ]
In triple time genres such as the waltz it is oom-pah-pah. The musical Oliver! contains a song named " Oom-Pah-Pah ", which is named after the oom-pah. A more modern variation is the playing of contemporary pop and rock songs in an Oompah style, by bands such as Global Kryner (Austria), Oompah Brass (UK) (who dubbed the style "Oompop"), [ 3 ...
The series features the adventures of Ompa-pa (Oumpah-pah in French – the name referring to a waltz), a Native American of the fictional Flatfeet tribe, and his friend, the French officer Hubert Brussels Sprout (Hubert de la Pâte Feuilletée in French, which translates as Hubert of Puff Pastry), whom Ompa-pa calls Two-scalp, a reference to his wig.
Oom-Pah-Pah" is a song from the musical Oliver!. Oom-Pah-Pah may also refer to: Oom-pah, rhythmical sounds of brass instruments in a band; Oumpah-pah, a comic strip
"Harpua" is a Phish song that was a staple of their live concerts, but has now become a rarity and has only been performed live. Its first appearance on an album was on Live Phish Volume 2, a 2001 release featuring a concert from 1994. [1]
Jeff Hyslop (/ ˈ h ɪ s l ɒ p / HIH-slop; born May 30, 1951) is a Canadian actor, singer, dancer, choreographer, and director. Many of his roles have been in musical theatre.His most famous roles were as Jeff the mannequin in the children's show Today's Special and as the title role in the Canadian production of The Phantom of the Opera in 1990.
"Ooh Poo Pah Doo" is a song written and performed by Jessie Hill. It was arranged and produced by Allen Toussaint.The single reached No. 3 on the Billboard R&B chart and No. 28 on the Hot 100 in 1960 [1] although the charts list the B-side, instrumental "Ooh Poo Pah Doo - Part II", as the hit.
When I started, there was absolutely no accordion culture. Unless, you define accordion culture as 'oom-pah-pah,' or the Cuckoo Waltz—that sort of thing. The free-bass accordion didn't exist—it was entirely unknown when I was a child. At that time the accordion world was living in splendid isolation.