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The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous piece. [1] [2]
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarole in F ♯ major, Op. 60 have cemented a solid place within the repertoire, as well as shorter works like his polonaises, mazurkas, waltzes, impromptus, rondos, and nocturnes taking a substantial portion of recorded and ...
It was mainly through these themes of operatic influence, freer rhythms, and an expansion into more complex structures and melodic playing that Chopin made his mark on the nocturne. [10] Many think of the "Chopin nocturne" as a mix between the form and structure of Field and the sound of Mozart, displaying a classic/romantic-influenced theme ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
KK. Vb/9 Lost. Copy of first line made by Chopin's sister Ludwika is extant. It seems this piece is different from the two écossaises belonging to Oskar Kolberg. 3 Marches C-minor, B-flat minor and F minor KK. Vd/1-3 Lost; perhaps includes the Marche funèbre in C minor, Op. posth. 72/2 and the Andante Dolente in B-flat minor Marches "early ...
For his part, Schumann not only dedicated his Kreisleriana, Op. 16, to Chopin, [14] he also wrote his own Variations on Chopin's Nocturne in G minor, Op. 15/3 (first published 1981), in between their two meetings; [8] he wrote an imitative section called simply "Chopin" in Carnaval, Op. 9; and he remained a lifelong staunch champion of Chopin's ...
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