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D Jean Daetwyler (1907–1994) Concerto for viola and orchestra (1979) Jörgen Dafgård (b. 1964) For the Sleeping: Dream Sonata for viola and tape (1997–1998) Frames and Flow, 6 Duets for violin, viola and cello (1988–2000); Nos. 1 and 3 for viola and cello; Nos. 2 and 5 for violin and viola; STIM; Swedish Music Information Centre Roland Dahinden (b. 1962) broken lines for viola and ...
Suite Hébraïque for viola and piano or orchestra (1951) Johannes Brahms (1833–1897) Sonata No. 1 in F minor for viola and piano, Op. 120 No. 1 (1894) Sonata No. 2 in E-flat major for viola and piano, Op. 120 No. 2 (1894) Two Songs for voice, viola and piano, Op. 91 (1884) Max Bruch (1838–1920) Concerto for Clarinet, Viola, and Orchestra ...
Violin Concerto No. 2: Metamorphosen (1992–95), for Anne-Sophie Mutter; Viola: Viola Concerto (1983, also versions for: clarinet, cello, and version for chamber orchestra) Cello: Sonata for Cello and Orchestra (1964), for Siegfried Palm; Cello Concerto No. 1 (1972) Cello Concerto No. 2 (1982) Cello Concerto (transcription from Viola Concerto ...
Fancy 3 for viola and double bass (and large tam-tam) (1977); Musikedition Nymphenburg 2001. Ernest Walker (1870–1949) [1] Romance in B ♭ for viola (or clarinet) and piano, Op. 9 (1898); Joseph Williams Sonata in C major for viola and piano, Op. 29 (1897); Edition Schott (published 1912) Variations on an Original Theme for viola and piano ...
Rhapsody for cello and piano, Op. 3; Variations on a Hungarian Folk Song for violin and piano, Op. 4; North Hungarian Peasant Songs and Dances for violin and piano, Op. 5; Violin Concerto for violin and piano, Op. 24; Piano Concerto for two pianos, Op. 31; Cello Concerto for cello and piano, Op. 32; Viola Concerto for viola and piano, Op. 37
According to Lewis Foreman, it is "possibly the first full blown concerto for viola by a British composer". (York Bowen's Viola Concerto followed in 1907). There is a modern recording by Lawrence Power and the BBC Scottish Symphony Orchestra. [3] Chanson Celtique (1906) for viola and piano, also achieved some popularity and was later ...
The concerto has three movements, and Bartók wrote in a letter dated August 5, 1945 that the general concept is "a serious Allegro, a Scherzo, a (rather short) slow movement, and a finale beginning Allegretto and developing the tempo to an Allegro molto.
The composition takes around 16 minutes to perform and is in one movement. It is scored for a solo viola and a large orchestra, consisting of 3 flutes, 2 oboes, English horn, 4 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, vibraphone, glockenspiel, chimes, suspended cymbals, gongs, tamtams, 2 harps, piano, celesta, and a large section of strings.