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The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ( carmen ) were an integral part of almost every social occasion. [ 1 ] The Secular Ode of Horace , for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Roman numeral analysis of the standard twelve-bar blues. In music theory, fake books and lead sheets aimed towards jazz and popular music, many tunes and songs are written in a key, and as such for all chords, a letter name and symbols are given for all triads (e.g., C, G 7, Dm, etc.).
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Aulus Gellius and Roman Reading Culture. Text, Presence, and Imperial Knowledge in the Noctes Atticae. Cambridge: Cambridge University Press. Johnson, William A. (2012). "Aulus Gellius: The Life of the Litteratus" In Readers and Reading Culture in the High Roman Empire: A Study of Elite Communities. Classical Culture and Society.
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The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...