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When the sing-along screenings of “Wicked” go down beginning Christmas Day, I’ll be there — but not because I have any intention of personally raising my voice in song. (Or maybe I’ll ...
Farewell, mother, you may never Press me to your heart again, But, oh, you'll not forget me, mother, If I'm numbered with the slain. Oh, I long to see you, mother, And the loving ones at home, But I'll never leave our banner, Till in honor I can come. Tell the traitors all around you That their cruel words we know, In every battle kill our soldiers
1002 – Jim And Lee – Adam And Eve / I'll Never Change; 1003 – Joe Haywood – I Cross My Heart And Hope To Die / In Your Heart You Know I Love You; 2301 – Lee Moses – Time And Place / I Can't Take No Chances; 2302 – The Victones- Somebody Really Loves You / Two Sides To Love
This self-produced album was released on March 10, 2017, marking a return to their private Family Owned Records label, distributed by Thirty Tigers and consists of original songs as well as covers of the Furry Lewis song "When My Baby Left Me", a traditional gospel song first recorded by The Wiseman Quartet "Let Your Light Shine On Me" and Don ...
"Short Mort" (1959) by Carole King was a response to Annette Funicello's "Tall Paul" (1959), referencing "Tall Paul" in the line, "You can keep Tall Paul, I'll take Short Mort." "Return of the All-American Boy" (1959) by Billy Adams was a response to the 1958 smash " The All American Boy " by Bill Parsons (aka Bobby Bare ).
"I'll Always Love My Mama" is a 1973 single by the Philly soul group The Intruders. Released from their album Save the Children, the single is a song commonly played on Mother's Day. [1] Written by Gamble & Huff and co-written by McFadden & Whitehead, the song reached #36 on the pop chart and #6 on the R&B charts in the summer of 1973. It was ...
Save the Children was produced by Gamble & Huff. [6] It was the first album to credit the Philadelphia International Records house band, MFSB. [7] " I'll Always Love My Mama", like many Intruders' songs, includes a mid-song interruption where the group members engage in a loose rap related to the song's theme.
In 1994, country music group Gibson/Miller Band recorded a cover version on its album Red, White and Blue Collar.This version peaked at #49 on the Hot Country Songs chart, and was featured in the soundtrack for the movie The Cowboy Way. [11]
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