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In his song "Grand Ole Opry (Ain't So Grand Anymore)", Hank Williams III praises Paycheck (along with Waylon Jennings, Johnny Cash, and Hank Williams Jr.) as a "real rebel" the Grand Ole Opry only reluctantly inducted. [citation needed] I'm a man who believes that right is right and wrong is wrong. Treat me right, and I will give you my all.
The song opens with acoustic Asus2 and D9 chords. This repeats until the song enters the main structure, a new beat with guitars and harmonica. [4] This part of the song mainly switches between C and F, but occasionally uses other chords as well. [5] After the lyrics finish, the music continues for about two minutes before ending. [4]
It was Paycheck's only #1 hit. Its B-side, "Colorado Kool-Aid," spent ten weeks on the same chart and peaked at #50. [1] Coe's recording was released in 1978 on his album Family Album. Coe also recorded a variation of the song called "Take This Job and Shove It Too" on his 1980 album I've Got Something to Say. It included the line "Paycheck ...
Yardbirds drummer Jim McCarty was the only Yardbird to catch Holmes' performance. [6] [b] He liked "Dazed and Confused" and bought the album the next day, subsequently playing it to the rest of the band. They reworked the song, focusing the arrangements based on the descending bass line. Page added additional guitar riffs in the middle of the song.
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Now, I’m meeting 50 people before the show, then doing a 90-minute set — and I’m a girl, so obviously I’m getting ready at 11 a.m., whereas a guy needs three minutes. By the time the show ...
Whereas you have a lot of bass players playing the root of the guitar chord, and that’s your song, [here] I’m playing one line, he’s playing a contradictory line, and it creates this cacophony.
In the chorus, Smith admits: "You say I'm crazy/'Cause you don't think I know what you've done/But when you call me baby/I know I'm not the only one". [20] Smith revealed to Lewis Corner that the song was the only one on the album that is not about their life, but a marriage they observed first-hand, where they put themselves into the woman's ...