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Virgen Nuestra Señora de la Antigua, 16th century Of the three works mentioned, the most important is the Virgin de la Antigua , painted in Seville between 1520 and 1523. It was saved from a shipwreck in the vicinity of the Virgin Islands when it was brought by ship to Santo Domingo and considered the first large-format painting to arrive to ...
Reconstruction of part of the Forma Urbis with cavea of theatrum Pompei shown. The Forma Urbis Romae or Severan Marble Plan is a massive marble map of ancient Rome, created under the emperor Septimius Severus between 203 and 211 CE. Matteo Cadario gives specific years of 205–208, noting that the map was based on property records.
Paris. On the left: Witches' Sabbath (The Great He-Goat) The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Roman square capitals, also called capitalis monumentalis, inscriptional capitals, elegant capitals and capitalis quadrata, are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs.
Website. www .barberinicorsini .org. The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini.
Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities.
Fabián de la Rosa was born in Paco, Manila to husband and wife Marcos de la Rosa and Gorgonia Cueto. Born to a family of artists, he was exposed to art at an early age and learned to draw well before he could write. He was trained to sketch portraits and landscapes by his aunt, Marciana de la Rosa, when he was ten years old.
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