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The Requiem, Op. 9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo baritone, mezzo-soprano, mixed choir, and organ, or orchestra with organ.
Mark Rochester of Gramophone writes of the 'highly polished, virtually flawless sound of the Houston Chamber Choir' on the project. [6] James Manheim of AllMusic writes 'The album presents all of Duruflé's choral music, which fits conveniently on one CD, and it offers both distinctive performances and really superb recording of an impressive organ.'. [7]
Best Engineered Recording, Non-Classical. Bruce Swedien & Humberto Gatica (engineers) for Bad performed by Michael Jackson; Best Engineered Recording, Classical. Jack Renner (engineer), Robert Shaw (conductor) & the Atlanta Symphony Orchestra for Fauré: Requiem/Duruflé: Requiem; Producer of the Year, (Non Classical) Narada Michael Walden
In recordings, the motets are often combined with Duruflé's Requiem, sharing the same approach of polyphonic music based on Gregorian chant. They have been recorded for example by King's College Choir, conducted by Stephen Cleobury and the Corydon Singers conducted by Matthew Best. [3]
In 1947 he completed probably the most famous of his few pieces: the Requiem op. 9, for soloists, choir, organ, and orchestra. He had begun composing the work in 1941, following a commission [5] from the Vichy regime. Also in 1947, Marie-Madeleine Chevalier became his assistant at St-Étienne-du-Mont.
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The discography of Westminster Cathedral Choir includes many award-winning recordings, among them the 1998 Gramophone Award Record of the Year for Frank Martin's Mass for Double Choir and Ildebrando Pizzetti's Requiem.
The Grammy Award for Best Choral Performance has been awarded since 1961. There have been several minor changes to the name of the award over this time: In 1961 the award was known as Best Classical Performance - Choral (including oratorio)
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