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John Frederick Peto (May 21, 1854 – November 23, 1907) was an American trompe-l'œil ("fool the eye") painter who was long forgotten until his paintings were rediscovered along with those of fellow trompe-l'œil artist William Harnett.
Artist: John F. Peto: Location: Timken Museum of Art, San Diego, California, U.S. In the Library is a 1894–1900 oil painting on canvas by John F. Peto. [1] References
A History of American Marine Painting (Peabody Museum of Salem, 1968) Robert Salmon, Painter of Ship & Shore (Peabody Museum of Salem, 1971) Winslow Homer (Praeger Publishers, 1972) Important Information inside: The Art of John F. Peto and the Idea of Still-Life Painting in Nineteenth-Century America (National Gallery of Art, 1983)
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer .
The American trompe-l'œil paintings also flourished during this period, created by John Haberle, William Michael Harnett, and John Frederick Peto. Peto specialized in the nostalgic wall-rack painting while Harnett achieved the highest level of hyper-realism in his pictorial celebrations of American life through familiar objects. [62]
Peder Severin Krøyer – Summer evening by Skagen's beach: Artist and his wife; Constantin Meunier – The Horse at the Pond ; Claude Monet – Charing Cross Bridge (Thyssen-Bornemisza Museum, Madrid) Edvard Munch – The Dance of Life; John F. Peto – Still life with Mug, Pipe and Book; Maurice Prendergast – Splash of Sunshine and Rain
John Frederick Peto (1854–1907), 1 painting : Artic Ernest Christian Frederik Petzholdt (1805–1838), 1 painting : Artic Frank Charles Peyraud (1856/58–1948), 1 painting : Artic
Harnett inspired many followers, the best known being John F. Peto, but few, if any, had Chalfant's technical finesse. Often, Chalfant's compositions closely follow prototypes by Harnett, but Chalfant usually simplifies, eliminating secondary objects and details. [4] An example is his Violin and Bow (1889) in the Metropolitan Museum of Art (MET ...