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As demand for his custom pickups grew, he started his own company with Cathy Carter Duncan, Seymour Duncan in 1976. [5] In the 90s, as a demand for vintage guitars began to rise, Duncan sought to replicate the tonal quality of '50s to '60s rock and roll through pre-aging specific pickups. The result was the Seymour Duncan Antiquity pickups.
Seymour Duncan and Cathy Carter Duncan in the 1970s. Seymour W. Duncan became interested in guitars at a young age. After lending his guitar to a friend who accidentally broke the pickup, Duncan decided to re-wind the pickup using a record player turntable to hold the pickup in place and rotate it while spooling wire around the pickup bobbin.
Fender chose to replicate this mod with a revised Telecaster Custom model, using a Wide Range in the neck position and adding separate volume and tone controls for each pickup, along with a three-position toggle for pickup selection on the guitar's upper bout. This brought the Telecaster design closer to that of Gibson's popular Les Paul model. [2]
Note: In descriptions of pickup configurations, H refers to humbuckers and S refers to single-coils.. The Fender Showmaster initially started as a Custom Shop model. It featured a carved maple top with hand scraped edges and cream binding, a set-neck maple neck (bolt-on on some models), a sleek mahogany body (many Showmaster guitars are made from basswood or alder; later models such as the ...
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The two were associated for nearly 20 years. In 1994, Duncan and Lover jointly produced the Seth Lover Model pickup, a re-creation of the "Patent Applied For" humbucker. After numerous full-page ads, NAMM Show appearances, and magazine interviews, Lover became a minor celebrity at age 84. During his final years, Lover was a regular member of ...
The Fender Telecaster, colloquially known as the tele / ˈ t ɛ l i /, [1] is an electric guitar produced by Fender. Together with its sister model the Esquire, it was the world's first mass-produced, commercially successful [note 1] solid-body electric guitar. Its simple yet effective design and revolutionary sound broke ground and set trends ...
Joe Strummer (1952–2002) of the Clash was "the most visible Tele player" in late 1970s punk, using his famous stickered instrument throughout his career, up until his death. His black Tele was a 1966 Sunburst that he painted when he started to play with the Clash, he also used a White Fender Esquire in the late 70s [98]