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The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
So, it is also called "first-movement form" or "sonata-allegro form" (because usually the most common first movements are in allegro tempo). [16] Each section of sonata form movement has its own function: It may have an introduction at the beginning. Following the introduction, the exposition is the first required section. It lays out the ...
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...
The third movement usually follows a dance-like form, such as Minuet [or Scherzo] and Trio form. It is commonly written in the home key. Or, if used as the last movement, is in a fast tempo such as prestissimo, presto, or vivace. Like in Beethoven's "Pathetique" sonata Op.13 Third Movement
Crucial to most interpretations of the sonata form is the idea of a tonal center; and, as the Grove Concise Dictionary of Music puts it: "The main form of the group embodying the 'sonata principle', the most important principle of musical structure from the Classical period to the 20th century: that material first stated in a complementary key ...
The first movement is in sonata form. It begins with a slow introductory theme, marked Grave. The exposition, marked Allegro di molto con brio, is in 2 2 time in the home key of C minor and features three themes. Theme 1 features an aggressive rocket theme covering two octaves, accompanied with constant tremolo octaves in the left hand.
The first movement, [c] in C ♯ minor and alla breve, is written in modified sonata-allegro form. [22] Donald Francis Tovey warned players of this movement to avoid "taking [it] on a quaver standard like a slow 12 8 ". [19] The movement opens with an octave in the left hand and a triplet figuration in the right.
The first movement follows the sonata allegro format of the classical period, and borrows thematically from Beethoven's Piano Quartet No. 3 in C major, [5] WoO 36, from a decade earlier. The movement opens with the main theme in the tonic key, beginning with a double-thirds trill-like pattern.