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The pampre runs from the crater to the edge of the threshold mosaic. [24] The other sills feature a swastika. [84] The mosaic tesserae are made of marble and glass, and some are "decomposed", with a large number of color shades. [85] View of medallions and part of the mosaic border, with dolphin medallions.
A fragment of the marble threshold of the cella is preserved and features an engraved caduceus or wand of Mercury, which represented peace and reconciliation. [15] Three statues were positioned on the apex of the pediment, which represented Concord along with two other goddess, Pax and Salus (or Securitas and Fortuna). [28]
A worn-out wooden threshold. A threshold is the sill of a door. Some cultures attach special symbolism to a threshold. It is called a door saddle in New England. [citation needed] Door thresholds cover the gap between the floor and the door frame, helping to prevent any water leaks, insects or draughts from entering through the opening.
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It is an archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings, [2] [3] and typically featured in domes and vaults, as well as iwans, entrance portals, or other niches. [3] It is sometimes referred to as "honeycomb vaulting" [4] or "stalactite vaulting". [1] The muqarnas structure originated from the squinch ...
In the 18th century, as shown in an engraving by the painter Carlo Labruzzi (1748-1817), [55] the facade was simply a plastered wall on which opened a door surrounded by fine Roman marble entablatures; two of them were photographed by Lugli, [56] while currently one of them, measuring 1.70 x 1.00 x 0.50 meters, [41] supports the high altar mensa.
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