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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The first appearance of the blues is often dated to after the ending of slavery, with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908.
"Harlem Shuffle" is an R&B song written and originally recorded by the duo Bob & Earl in 1963. The song describes a dance called the “Harlem Shuffle”, and mentions several other contemporary dances of the early 1960s, including the Monkey Shine , the Limbo , the Hitch hike , the Slide, and the Pony .
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
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Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916.
In October 1954, Howlin' Wolf recorded his version, titled simply "Forty Four", as an electric Chicago blues ensemble piece. Unlike the early versions of the song, Wolf's recording featured prominent guitar lines and an insistent "martial shuffle on the snare drum plus a bass drum that slammed down like an industrial punch-press", according to biographers. [7]
Cash Box described it as having "top shuffle-rhythm blues sounds." [ 9 ] In 1965, Mississippi bluesman Fred McDowell recorded it as a slow, slide guitar hill country blues solo piece. The song generally follows a seven-bar or an eight-bar blues arrangement and has been compared to " Sitting on Top of the World ". [ 10 ]
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