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In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice. In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [32]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [33] which is the heading of the proem (an address from the poet to the legendary author Musaeus of Athens, which precedes the rest of the collection); [34] this address to ...
Four other people are traditionally called Orpheus: "The second Orpheus was an Arcadian, or, according to others, a Ciconian, from the Thracian Bisaltia, and is said to be more ancient than Homer and the Trojan War. He composed fabulous figments called mythpoeai and epigrams.
Orpheus and Eurydice, a ballet choreographed by Dame Ninette de Valois with music by Gluck (1941) [7] Orpheus, a ballet made by choreographer George Balanchine to music by Igor Stravinsky (1948) Orpheus in the Underworld, an album by Don Shirley (1956) Orpheus, a song by New York Rock & Roll Ensemble, from Reflections (Manos Hatzidakis album ...
Orphism is named after the legendary poet-hero Orpheus, who was said to have originated the Mysteries of Dionysus. [7] However, Orpheus was more closely associated with Apollo than to Dionysus in the earliest sources and iconography. According to some versions of his mythos, he was the son of Apollo, and during his last days, he shunned the ...
The Orphic Argonautica or Argonautica Orphica (Ancient Greek: Ὀρφέως Ἀργοναυτικά) is a Greek epic poem dating from the 4th century CE. [1] It is narrated in the first person in the name of Orpheus and tells the story of Jason and the Argonauts.
La morte d'Orfeo (The Death of Orpheus) is an opera in five acts by the Italian composer Stefano Landi. Dedicated to Alessandro Mattei, familiaris of Pope Paul V, it may have been first performed in Rome in 1619. [1] The work is styled a tragicomedia pastorale (pastoral tragicomedy).
Very similar to Orpheus of myth is the quality of singing and playing on a stringed instrument that Sir Orfeo exhibits. His wife, like Eurydice, showed loyalty by resisting advances. In the myth, Orpheus goes marching down to Tartarus to ask for Eurydice back while Sir Orfeo exiles himself for ten years until he chances a glimpse of his wife.
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